![]() ![]() After completing his work, Whistler never saw the Peacock Room again.Ī gorgeously illustrated book exploring the fascinating history behind the Peacock Room and its long journey to the Smithsonian’s National Museum of Asian Art Buy Inspired by the delicate patterns and vivid colors of the ceramics on display, Whistler entirely redecorated the room in 18 as a “harmony in blue and gold.” The room’s final brilliance was more than Leyland had anticipated, and he and Whistler were soon locked in a bitter, prolonged quarrel. Jeckyll asked Whistler (1834–1903) for advice on an appropriate color scheme for the door. Leyland wanted to transform his home in the Kensington section of London into a palace of art, and he hired architect Thomas Jeckyll (1827–1881) to design the room and its lattice shelves to display an extensive collection of blue-and-white Kangxi porcelain. Originally it was the dining room in the London mansion of ship owner Frederick Leyland (1832–1892) from Liverpool. South wall showing the fighting peacocks mural that Whistler called Art and Money or, the Story of the Room The narrative took an unexpected turn when an American artist was consulted on suitable room colors, and its legacy was secured when an art collector from Detroit brought the Peacock Room to America. ![]() Its story began simply enough, when a Victorian shipping magnate decided to use the space to showcase his collection of Chinese ceramics. The Peacock Room, the renowned interior decoration by American expatriate artist James McNeill Whistler, has had a dynamic history. ![]()
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